Theater

שלמה אבינר, תיאטרון ויהדות, בתוך: עיטורי כוהנים, 157 (טבת, תשנ"ח), 32-29;

שמואל אבישר, המחזה והתיאטרון העברי והיידי , ירושלים: ר' מס,) תשנ"ו-1996;

ישראל ברקוביץ, הונדערט יאר יידיש טעאטער אין רומעניע: 1876–1976, )בוקרשט: קריטעריאן, 1976 (

 יהודה וורצל, האם ייתכן תיאטרון "יהודי"?  ‫בתוך: דוד קאסוטו (עורך), היהדות והאמנות, רמת גן: המכון ליהדות ולמחשבה בת-זמננו ע"ש דוד ובתיה קוטלר) תשמ"ט(, 267–274,

Lois Adler, “Alexis Granovsky and the Jewish State Theatre of Moscow,” The Drama Review 24.3 (September 1980), 27–42;

S. An-ski, The Dybbuk and Other Writings, trans. Golda Werman, ed. David G. Roskies (New York, 1992);

С.Ан-ский. «Меж двух миров («Дибук»). Цензурный вариант. Публ., вст. текст и глоссарий В.В. Иванова  Мнемозина. Документы и факты из истории отечественного театра ХХ века. Вып. 3   Ред.-сост. В.В. Иванов.(М.: АРТ, 2004)

Michael Aylward, Jewish Theatre in Poland, Polin: studies in Polish Jewry, Vol. 16: Jewish Popular Culture in Poland and its Afterlife (Oxford: Institute for Polish-Jewish Studies, 2003),

Yisroel Berkovitsh (Israil Bercovici), Hundert yor yidish teater in Rumenye, 1876–1976 (Bucharest, 1976), also in Romanian as O Suta de ani de teatru evreiesc în România (Bucharest, 1982);

Moshe Beregowski.  Old Jewish Folk Music: The Collections and Writings of ; edited and translated by Mark Slobin (1982) ;

M. Beregovski,Jewish Instrumental Folk Music, translated and edited by M. Slobin, M. Alpert, and R. Rothstein (Syracuse, 2001) ;

М. Я. Береговский. Еврейская народная инструментальная музыка  (Москва, 1987)

М. Я. Береговский. Еврейские народные напевы без слов (Москва, 1999)

М. Я. Береговский. Пуримшпили: Еврейские народные музыкально-театральные представления ( Киев, 2001) ;

Mirosława Bułat, Krakowski teatr żydowski: Między szundem a sztuką (Kraków, 2006);

Evi Butzer, Die Anfänge der jiddischen ‘purim shpiln’ in ihrem literarischen und kulturgeschichtlichen Kontext (Hamburg, 2003);

Di eybike mame / The Eternal Mother: Women in Yiddish Theater and Popular Song 1905–1929 (Germany, 2003), CD contains historical recordings of Yiddish operettas;

Szczepan Gąssowski, ed. Państwowy Teatr Żydowski im. Ester Rachel Kamińskiej (Warsaw, 1995);

Abraham Goldfaden, Geklibene dramatishe verk, ed. S. Bilov and A. Velednitski (Kiev, 1940);

Bernard Gorin (Y. Goydo), Di geshikhte fun yidishn teater: Tsvey toyznt yor teater bay yidn, 2nd enl. and illustr. ed., 2 vols. (New York, 1923);

Aron Gurshteyn, “Der yidisher teater in di 60-er yorn funem XIX yorhundert,” in Mendele un zayn tsayt: Materyaln tsu der geshikhte fun der yidisher literatur in XIX yorhundert, pp. 197–220 (Moscow, 1940);

Michael Fishbane, “The Mystery of Dance According to Rabbi Nahman of Bratzlav,” in The Exegetical Imagination: On Jewish Thought and Theology, pp. 173–184, 226–231 (Cambridge, 1998);

Владислав Иванов, Из истории формирования текста. Полвека еврейского театра 1876–1926, ред. Б. Энтин, (Москва, 2003), 527–542;

Ida Kaminska, My Life, My Theater, ed. and trans. Curt Leviant (New York, 1973);

M. K. [Mojżesz Kanfer], “Teatr Goldfadenowski: Teatrem żydowskim; Z rozmowy z Zygmuntem Turkowem,” Nowy Dziennik (Kraków) 107 (20 April 1939): 8;

Bohdan Korzeniewski and Zbigniew Raszewski, eds., Pamiętnik teatralny 41.1–4 (161–164) (1992), special issue on Yiddish theater in Poland prior to 1939; Ariela Krasney, Ha-Badḥan (Ramat Gan, Isr., 1998);

Anna Kuligowska-Korzeniewska and Małgorzata Leyko, eds., Teatr żydowski w Polsce: Materiały z Międzynarodowj Konferencji Naukowej (Łódź, 1998);

Małgorzata Leyko, ed., Łódzkie sceny żydowskie (Łódź, 2000);

Moyshe Litvakov, Finf yor melukhisher yidisher kamer-teater (Moscow, 1924);

Itsik Manger, Jonas Turkow, and Moyshe Perenson, eds. Yidisher teater in Eyrope tsvishn beyde velt-milkhomes, vol. 1, Poyln (New York, 1968), pp. 53–126;

 Jan Michalik and Eugenia Prokop-Janiec, eds., Teatr żydowski w Krakowie: Studia i materiały (Kraków, 1995);

A. Mukdoyni (Alexander Kappel), “Zikhroynes fun a yidishn teater-kritiker: Yidisher teater in Poyln fun 1909 biz 1915,” in Arkhiv far der geshikhte fun yidishn teater un drame, ed. Jacob Shatzky, vol. 1, pp. 341–421 (Vilna and New York, 1930);

Nokhem Oyslender, Yidisher teater, 1887–1917 (Moscow, 1940);

Nokhem Oyslender and U. Finkel, A. Goldfaden: Materyaln far a biografye (Minsk, 1926);

Béatrice Picon-Vallin, Le théâtre juif soviétique pendant les années vingt (Lausanne, Switz., 1973);

Noyekh Prilutski, Yidish teater, 1905–1912, 2 vols. (Białystok, Pol., 1921);

 Noyekh Prilutski, Far vos iz dos yidishe teater oyfgekumen azoy shpet? (Vilna, 1940);

Sholem Perlmutter, Yidishe dramaturgn un teater-kompozitors (New York, 1952);

Adolf Rudnicki, Niebieskie kartki, ślepe lustro tych lat (Kraków, 1956); Adolf Rudnicki, Teatr zawsze grany (Warsaw, 1987);

Gabriella Safran and Steven Zipperstein, eds., The Worlds of S. An-sky: A Russian Jewish Intellectual at the Turn of the Century (Stanford, Calif., 2006);

Nahma Sandrow, Vagabond Stars: A World History of Yiddish Theater (Syracuse, N.Y., 1996);

Ignacy Schiper, Geshikhte fun yidisher teater-kunst un drame fun di eltste tsaytn biz 1750, 3 vols. (Warsaw, 1923–1928);

Jacob Shatzky, ed., Arkhiv far der geshikhte fun yidishn teater un drame, vol. 1 (Vilna and New York, 1930); Jacob Shatzky, ed., Hundert yor Goldfaden (New York, 1940);

Chone Shmeruk, Peretses yiesh-vizye (New York, 1971);

Chone Shmeruk, Maḥazot mikra’iyim be-yidish, 1697–1750 (Jerusalem, 1975);

Ignacy Schiper, Geshikhte fun yidisher teater-kunst un drame fun di eltste tsaytn biz 1750, 3 vols. (Warsaw, 1923–1928);

Mark Slobin, Tenement Songs: The Popular Music of the Jewish Immigrants (Urbana, 1982);

Michael C. Steinlauf, “Mark Arnshteyn and Polish-Jewish Theater,” in The Jews of Poland between Two World Wars, ed. Yisrael Gutman, Ezra Mendelsohn, Jehuda Reinharz, and Chone Shmeruk, pp. 399–411 (Hanover, N.H., 1989);

Michael C. Steinlauf, “Mr. Geldhab and Sambo in Peyes: Images of the Jew on the Polish Stage, 1863–1905,” Polin 4 (1989), 98–128;

Michael C. Steinlauf, “Fear of Purim: Y. L. Peretz and the Canonization of Yiddish Theater,” Jewish Social Studies 1.3 (1995), 44–65;

Michael C. Steinlauf, “Sources for the Study of Jewish Theater in Poland,” in Gal-Ed 15–16 (1997), 83–103;

Ignacy Suesser (Süsser), “Kilka słów o żargonie i teatrze żydowskim,” Izraelita 25–27 (27 June–11 July 1890);

Joanna Tokarska-Bakir, “O czymś, co zginęło i szuka imienia,” in Rzeczy mgliste: Eseje i studia, pp. 210–215 (Sejny, Pol., 2004);

Zygmunt Turkow, Di ibergerisene tkufe: Fragmentn fun mayn lebn (Buenos Aires, 1961);

Eleonora Udalska, ed., Żydzi w lustrze dramatu, teatru i krytyki teatralnej (Katowice, Pol., 2004), summaries in English and German; Jeffrey Veidlinger, The Moscow State Yiddish Theater: Jewish Culture on the Soviet Stage (Bloomington, Ind., 2000);

Béatrice Picon-Vallin, Le théâtre juif soviétique pendant les années vingt (Lausanne, Switz., 1973);

Péter Varga, “Varianten jüdischer Selbstwahrnehmung in Ungarn,” in Jüdische Selbstwahrnehmung: La prise de conscience de l’identité juive, ed. Hans Otto Horch and Charlotte Wardi, pp. 83–99 (Tübingen, 1997);

Péter Varga, “Heinrich Heine und seine jüdischen Freunde,” in Heine, 1797–1856, ed. Endre Kiss and Tamás Lichtmann, pp. 65–79 (Debrecen, Hungary, 2002) ;

Jeffrey Veidlinger, The Moscow State Yiddish Theater: Jewish Culture on the Soviet Stage (Bloomington, Ind., 2000);

Michał Weichert, Teater un drame, 2 vols. (Warsaw and Vilna, 1922–1926);

Michał Weichert, Zikhroynes, vol. 2, Varshe, 1918–1939 (Tel Aviv, 1961);

Michał Weichert, Zikhroynes, vol. 2 (Tel Aviv, 1961).

Seth Wolitz, “Shulamis and Bar Kokhba: Renewed Jewish Role Models in Goldfaden and Halkin,” in Yiddish Theater: New Approaches, ed., Joel Berkowitz, pp. 87–104 (New York and Oxford, 2003) ;

Andrzej Wróblewski, “Niobe,” in Ida Kamińska: 50 lat pracy artystycznej / Ida Kaminska: 50 yor kinstlerishe tetikayt (Warsaw, 1967), Polish version, pp. 38–47, Yiddish version, pp. 37–46;

Zalmen Zylbercweig (Zilbertsvayg), Leksikon fun yidishn teater, 6 vols. (New York, Warsaw, and Mexico City, 1931–1969) ;

Zalmen Zylbercweig (Zilbertsvayg), comp. and ed., “Kaminski, Avrom-Yitskhok,” in Leksikon fun yidishn teater, vol. 6, cols. 5254–5281 (Mexico City, 1969);

Zalmen Zylbercweig (Zilbertsvayg), comp. and ed., “Kaminski, Ester-Rokhl (Halpern),” in Leksikon fun yidishn teater, vol. 6, cols. 5433–5616 (Mexico City, 1969) ;

Zalmen Zylbercweig, ed., “Volfstal, Khone,” in Leksikon fun yidishn teater, vol. 1, pp. 1654–1656 (New York, 1931) ;

Zalmen Zylbercweig (Zilbertsvayg), ed., “Sandler, Perets,” in Leksikon fun yidishn teater, vol. 2, pp. 1446–1454 (Warsaw, 1934);