Judeo-Slavic Studies

18 January 2015

Art

Subject Bibliography of Judeo-Slavic Studies
Go to: Table of Contents

Amishai-Maisels, Ziva. Depiction and Interpretation: The Influence of the Holocaust on the Visual Arts (London, 1993)

Blatter, Janet, and Sybil Milton. Art of the Holocaust (New York, 1981)

Braunstein, Susan L. Five Centuries of Hanukkah Lamps from The Jewish Museum: A Catalogue Raisonné (New Haven, 2004)

Ertel, Rachel. “Khaliastra et la modernité-européenne”. In: Khaliastra: Revue littéraire, ed. Lydie Marie Lachenal (Warsaw, 1922 – Paris, 1924; Paris, 1989), pp. 263–306

SEE FULL POST »

Film

Subject Bibliography of Judeo-Slavic Studies
Go to: Table of Contents

Armatys, Barbara, Leszek Armatys, Wiesław Stradomski, Władysław Banaszkiewicz, and Witold Witczak. Historia filmu polskiego, 2 vols. (Warsaw, 1988-1989)

Balázs, Béla. Joseph Zsuffa: The Man and the Artist (Berkeley, 1987)

Balázs, Béla. Theory of the Film: Character and Growth of a New Art, trans. Edith Bone (New York, 1970)

Berest, Boris. History of the Ukrainian Cinema (New York, 1962)

SEE FULL POST »

Religion

Subject Bibliography of Judeo-Slavic Studies

Go to: Table of Contents

Literature

Subject Bibliography of Judeo-Slavic Studies
Go to: Table of Contents

Adamovich, Anton. Opposition to Sovietization in Belorussian Literature, 1917-1957 (Munich, 1958)

Ba’al-Makhshoves [I. Elyashiv]. “Sholem Aleykhem”. In: Geklibene verk (New York, 1953), pp. 172-190. English version: “Sholem Aleichem [A Typology of His Characters]”. Prooftexts 6.1 (1986), pp. 7-15

Band, Arnold J. “The Beginnings of Modern Hebrew Literature: Perspectives on ‘Modernity’”. AJS Review 13.1-2 (Spring-Fall 1988), pp. 1-26

Bercovici, Isaac (Yitsḥak Berkovits). Pirke Romanyah (Tel Aviv, 1975)

SEE FULL POST »

Language

Subject Bibliography of Judeo-Slavic Studies

Go to: Table of Contents

Folklore

Hirsz Abramowicz, Profiles of a Lost World: Memoirs of East European Jewish Life before World War II, ed. Dina Abramowicz and Jeffrey Shandler, trans. Eva Zeitlin Dobkin (Detroit, 1999);

H. Aleksandrov, Forsht ayer shtetl (Minsk, 1928);

Dan Ben-Amos, “The ‘Myth’ of Jewish Humor,” Western Folklore 32.2 (1973): 112–131;

Dan Ben-Amos, “On Demons,” in Creation and Re-Creation in Jewish Thought, ed. Rachel Elior and Peter Schäfer, pp. 27–37 (Tübingen, 2005);

S. An-ski, Dos yidishe etnografishe program: Ershte teyl, Der mentsh (St. Petersburg, 1914);

Steven E. Aschheim, Brothers and Strangers: The East European Jew in German and German Jewish Consciousness, 1800–1923 (Madison, 1999);

Moisei Beregovskii, “Jewish Folk Music (1934)” and “Jewish Instrumental Folk Music (1937),” in Old Jewish Folk Music: The Collections and Writings of Moshe Beregovski, ed. Mark Slobin, pp. 19–43 and 530–548 (Philadelphia, 1982);

Benjamin Jacob Bialostotzky, Yidishe humor un yidishe leytsim (New York, 1963); Yehuda Leyb Cahan, “Vegn yidishe vitsn,” in Shtudyes vegn yidisher folksshafung, pp. 266–274 (New York, 1952);

Toby Blum-Dobkin, “The Landsberg Carnival: Purim in a Displaced Persons Center,” in Purim: The Face and the Mask, ed. Shifra Epstein, pp. 52–59 (New York, 1979);

John M. Efron, “Samuel Weissenberg: Jews, Race, and Culture,” in Defenders of the Race: Jewish Doctors and Race Science in Fin-de-Siècle Europe, pp. 91–122 (New Haven, 1994);

Ismar Elbogen, “Ein Jahrhundert Wissenschaft des Judentums,” in Festschrift zum 50 jährigen Bestehen der Hochschule für die Wissenschaft des Judentums in Berlin, pp. 101–144 (Berlin, 1922);

Shmuel Feiner, Haskalah and History: The Emergence of a Modern Jewish Historical Consciousness, trans. Chaya Naor and Sondra Silverton (Oxford and Portland, Ore., 2002);

Gila Flam, Singing for Survival: Songs of the Lodz Ghetto, 1940–1945 (Urbana, 1992);

Giza Frankel, “Notes on the Costume of the Jewish Woman in Eastern Europe,” Journal of Jewish Art 7 (1980),50–57;

Sigmund Freud, Jokes and Their Relation to the Unconscious, trans. and ed. James Strachey (New York, 1963);

Isaac Fridkin, Avrom-Ber Gotlober un zayn epokhe, 2 vols. (Vilna, 1925–1927);

Reuven Goldberg, “Mavo’,” in Zikhronot u-masa‘ot, by Abraham Baer Gottlober, vol. 1, pp. 7–50 (Jerusalem, 1976);

David A. Harris and Izrail Rabinovich, The Jokes of Oppression: The Humor of Soviet Jews (Northvale, N.J., 1988);

Itzik Nakhmen Gottesman, Defining the Yiddish Nation: The Jewish Folklorists of Poland (Detroit, 2003);

Moshe Idel, Hasidism: Between Ecstasy and Magic (Albany, N.Y., 1995);

Itzik Nakhmen Gottesman, Defining the Yiddish Nation: The Jewish Folklorists of Poland (Detroit, 2003).

Joseph Jacobs, “Jüdische Volkskunde und die Einteilung des Statistik der Juden,” in Statistik der Juden: Eine Sammelschrift, pp. 30–35 (Berlin, 1917);

Yisroel Kaplan, Dos folksmoyl in natsi-klem: Reydenish in geto un katset (1949; rpt., Tel Aviv, 1982);

Mark William Kiel, “A Twice Lost Legacy: Ideology, Culture and the Pursuit of Jewish Folklore in Russia until Stalinization, 1930–1931” (Ph.D. diss., Jewish Theological Seminary of America, New York, 1991);

Barbara Kirshenblatt-Gimblett, “Problemen fun yidisher folklor-terminologye,” Yidishe shprakh 31 (1972), 42–48;

Barbara Kirshenblatt-Gimblett, “Problems in the Early History of Jewish Folkloristics,” World Congress of Jewish Studies 10.D2 (1990), 21–32;

Yekhezkel Kotik, Journey to a Nineteenth-Century Shtetl: The Memoirs of Yekhezkel Kotik, ed. David Assaf (Detroit, 2002);

Jacob Z. Lauterbach, “The Ceremony of Breaking a Glass at Weddings,” in Studies in Jewish Law, Custom, and Folklore, pp. 1–29a (New York, 1970), also in Beauty in Holiness: Studies in Jewish Customs and Ceremonial Art, pp. 340–369 (New York, 1970);

Yoysef Yehude Lerner, “Di yidishe muze: Yidishe folkslider,” Der hoyzfraynd 2 (1889), 182–198;

L. Lowenstein, “Jüdische und jüdisch-deutsche Lieder,” in Jubelschrift zum siebzigsten Geburtstag des Dr. Israel Hildesheimer (Berlin, 1890);

Dan Miron, The Image of the Shtetl and Other Studies of Modern Jewish Literary Imagination (Syracuse, N.Y., 2000);

Hersh D. Nomberg, “Isaac Leibush Peretz As We Knew Him,” in The Golden Tradition: Jewish Life and Thought in Eastern Europe, ed. Lucy S. Dawidowcz, pp. 286–304 (Boston, 1967);

Immanuel Olsvanger, comp. and ed., Röyte Pomerantsen: Jewish Folk Humor (New York, 1965);

Elliott Oring, The Jokes of Sigmund Freud: A Study in Humor and Jewish Identity (Northvale, N.J., 1997);

Elliott Oring, “The People of the Joke: On the Conceptualization of Jewish Humor,” in The Humor Prism in 20th-Century America, ed. Joseph Boskin (Detroit, 1997), also in Western Folklore 42.4 (1983), 261–271;

Felix Rosenberg, “Über eine Sammlung deutscher Volks- und Gesellschafts-lieder in hebräischen Lettern,” in Zeitschrift für die Geschichte der Juden in Deutschland, vols. 2–3 (1888–1889; rpt., Nendeln, Liechtenstein, 1975), regarding the Isaac Wallich manuscript in the Bodleian Library;

Menachem Z. Rosensaft, ed., Life Reborn: Jewish Displaced Persons, 1945–1951 (Washington, D.C., 2001);

Ruth Rubin, Voices of a People: The Story of Yiddish Folksong (New York, 1973);

Yehoshu‘a Ḥana Rawnitzki (Yoshue-Khone Ravnitski), Yidishe vitsn, 2 vols. (New York, 1950) ;

Adam Rubin, “Hebrew Folklore and the Problem of Exile,” Modern Judaism 25.1 (2005), 62–83;

Yitskhok Shiper (Ignacy Schiper), “Araynfir-verter in der yidisher folkskentenish,” Landkentenish 1 (1933), 64–74;

Theodore Schrire, Hebrew Amulets: Their Decipherment and Interpretation (London, 1966);

Hayyim Schauss (Ḥayim Shoys), The Lifetime of a Jew throughout the Ages of Jewish History (Cincinnati, 1950);

Leo Srole, “Why the DPs Can’t Wait: Proposing an International Plan of Rescue,” Commentary 3.1 (January 1947), 13–24;

Anna Shternshis, Soviet and Kosher: Jewish Popular Culture in the Soviet Union, 1923–1939 (Bloomington, Ind., 2006);

Mark Slobin, Old Jewish Folk Music: The Collections and Writings of Moshe Beregovski (Philadelphia, 1982);

Abraham Moses Tendlau, Sprichwörter und Redensarten deutsch-jüdischer Vorzeit: Als Beitrag zur Volks-, Sprach- und Sprichwörter-Kunde (Frankfurt a.M., 1860);

Joshua Trachtenberg, Jewish Magic and Superstition (1939; rpt., New York, 1970), pp. 132–152;

M. B. Vanvild (pseud. for Moses Joseph Dickstein?) and Szmil Lehman, eds., Bay unz yuden: Zamelbukh far folklor un filologye (Warsaw, 1923);

Eli Yassif, Jewish Folklore: An Annotated Bibliography (New York, 1986);

Mark Zborowski and Elizabeth Herzog, Life Is with People: The Culture of the Shtetl (New York, 1995), see esp. Barbara Kirshenblatt-Gimblett’s “Introduction,” pp. ix–xlviii;

Leopold] Zunz, “Grundlinien zu einer künftigen Statistik der Juden,” Zeitschrift für die Wissenschaft des Judenthums 1.3 (1823), 523–532.

Theater

שלמה אבינר, תיאטרון ויהדות, בתוך: עיטורי כוהנים, 157 (טבת, תשנ"ח), 32-29;

שמואל אבישר, המחזה והתיאטרון העברי והיידי , ירושלים: ר' מס,) תשנ"ו-1996;

ישראל ברקוביץ, הונדערט יאר יידיש טעאטער אין רומעניע: 1876–1976, )בוקרשט: קריטעריאן, 1976 (

יהודה וורצל, האם ייתכן תיאטרון "יהודי"? ‫בתוך: דוד קאסוטו (עורך), היהדות והאמנות, רמת גן: המכון ליהדות ולמחשבה בת-זמננו ע"ש דוד ובתיה קוטלר) תשמ"ט(, 267–274,

Lois Adler, “Alexis Granovsky and the Jewish State Theatre of Moscow,” The Drama Review 24.3 (September 1980), 27–42;

S. An-ski, The Dybbuk and Other Writings, trans. Golda Werman, ed. David G. Roskies (New York, 1992);

С.Ан-ский. «Меж двух миров («Дибук»). Цензурный вариант. Публ., вст. текст и глоссарий В.В. Иванова Мнемозина. Документы и факты из истории отечественного театра ХХ века. Вып. 3 Ред.-сост. В.В. Иванов.(М.: АРТ, 2004)

Michael Aylward, Jewish Theatre in Poland, Polin: studies in Polish Jewry, Vol. 16: Jewish Popular Culture in Poland and its Afterlife (Oxford: Institute for Polish-Jewish Studies, 2003),

Yisroel Berkovitsh (Israil Bercovici), Hundert yor yidish teater in Rumenye, 1876–1976 (Bucharest, 1976), also in Romanian as O Suta de ani de teatru evreiesc în România (Bucharest, 1982);

Moshe Beregowski. Old Jewish Folk Music: The Collections and Writings of ; edited and translated by Mark Slobin (1982) ;

M. Beregovski,Jewish Instrumental Folk Music, translated and edited by M. Slobin, M. Alpert, and R. Rothstein (Syracuse, 2001) ;

М. Я. Береговский. Еврейская народная инструментальная музыка (Москва, 1987)

М. Я. Береговский. Еврейские народные напевы без слов (Москва, 1999)

М. Я. Береговский. Пуримшпили: Еврейские народные музыкально-театральные представления ( Киев, 2001) ;

Mirosława Bułat, Krakowski teatr żydowski: Między szundem a sztuką (Kraków, 2006);

Evi Butzer, Die Anfänge der jiddischen ‘purim shpiln’ in ihrem literarischen und kulturgeschichtlichen Kontext (Hamburg, 2003);

Di eybike mame / The Eternal Mother: Women in Yiddish Theater and Popular Song 1905–1929 (Germany, 2003), CD contains historical recordings of Yiddish operettas;

Szczepan Gąssowski, ed. Państwowy Teatr Żydowski im. Ester Rachel Kamińskiej (Warsaw, 1995);

Abraham Goldfaden, Geklibene dramatishe verk, ed. S. Bilov and A. Velednitski (Kiev, 1940);

Bernard Gorin (Y. Goydo), Di geshikhte fun yidishn teater: Tsvey toyznt yor teater bay yidn, 2nd enl. and illustr. ed., 2 vols. (New York, 1923);

Aron Gurshteyn, “Der yidisher teater in di 60-er yorn funem XIX yorhundert,” in Mendele un zayn tsayt: Materyaln tsu der geshikhte fun der yidisher literatur in XIX yorhundert, pp. 197–220 (Moscow, 1940);

Michael Fishbane, “The Mystery of Dance According to Rabbi Nahman of Bratzlav,” in The Exegetical Imagination: On Jewish Thought and Theology, pp. 173–184, 226–231 (Cambridge, 1998);

Владислав Иванов, Из истории формирования текста. Полвека еврейского театра 1876–1926, ред. Б. Энтин, (Москва, 2003), 527–542;

Ida Kaminska, My Life, My Theater, ed. and trans. Curt Leviant (New York, 1973);

M. K. [Mojżesz Kanfer], “Teatr Goldfadenowski: Teatrem żydowskim; Z rozmowy z Zygmuntem Turkowem,” Nowy Dziennik (Kraków) 107 (20 April 1939): 8;

Bohdan Korzeniewski and Zbigniew Raszewski, eds., Pamiętnik teatralny 41.1–4 (161–164) (1992), special issue on Yiddish theater in Poland prior to 1939; Ariela Krasney, Ha-Badḥan (Ramat Gan, Isr., 1998);

Anna Kuligowska-Korzeniewska and Małgorzata Leyko, eds., Teatr żydowski w Polsce: Materiały z Międzynarodowj Konferencji Naukowej (Łódź, 1998);

Małgorzata Leyko, ed., Łódzkie sceny żydowskie (Łódź, 2000);

Moyshe Litvakov, Finf yor melukhisher yidisher kamer-teater (Moscow, 1924);

Itsik Manger, Jonas Turkow, and Moyshe Perenson, eds. Yidisher teater in Eyrope tsvishn beyde velt-milkhomes, vol. 1, Poyln (New York, 1968), pp. 53–126;

Jan Michalik and Eugenia Prokop-Janiec, eds., Teatr żydowski w Krakowie: Studia i materiały (Kraków, 1995);

A. Mukdoyni (Alexander Kappel), “Zikhroynes fun a yidishn teater-kritiker: Yidisher teater in Poyln fun 1909 biz 1915,” in Arkhiv far der geshikhte fun yidishn teater un drame, ed. Jacob Shatzky, vol. 1, pp. 341–421 (Vilna and New York, 1930);

Nokhem Oyslender, Yidisher teater, 1887–1917 (Moscow, 1940);

Nokhem Oyslender and U. Finkel, A. Goldfaden: Materyaln far a biografye (Minsk, 1926);

Béatrice Picon-Vallin, Le théâtre juif soviétique pendant les années vingt (Lausanne, Switz., 1973);

Noyekh Prilutski, Yidish teater, 1905–1912, 2 vols. (Białystok, Pol., 1921);

Noyekh Prilutski, Far vos iz dos yidishe teater oyfgekumen azoy shpet? (Vilna, 1940);

Sholem Perlmutter, Yidishe dramaturgn un teater-kompozitors (New York, 1952);

Adolf Rudnicki, Niebieskie kartki, ślepe lustro tych lat (Kraków, 1956); Adolf Rudnicki, Teatr zawsze grany (Warsaw, 1987);

Gabriella Safran and Steven Zipperstein, eds., The Worlds of S. An-sky: A Russian Jewish Intellectual at the Turn of the Century (Stanford, Calif., 2006);

Nahma Sandrow, Vagabond Stars: A World History of Yiddish Theater (Syracuse, N.Y., 1996);

Ignacy Schiper, Geshikhte fun yidisher teater-kunst un drame fun di eltste tsaytn biz 1750, 3 vols. (Warsaw, 1923–1928);

Jacob Shatzky, ed., Arkhiv far der geshikhte fun yidishn teater un drame, vol. 1 (Vilna and New York, 1930); Jacob Shatzky, ed., Hundert yor Goldfaden (New York, 1940);

Chone Shmeruk, Peretses yiesh-vizye (New York, 1971);

Chone Shmeruk, Maḥazot mikra’iyim be-yidish, 1697–1750 (Jerusalem, 1975);

Ignacy Schiper, Geshikhte fun yidisher teater-kunst un drame fun di eltste tsaytn biz 1750, 3 vols. (Warsaw, 1923–1928);

Mark Slobin, Tenement Songs: The Popular Music of the Jewish Immigrants (Urbana, 1982);

Michael C. Steinlauf, “Mark Arnshteyn and Polish-Jewish Theater,” in The Jews of Poland between Two World Wars, ed. Yisrael Gutman, Ezra Mendelsohn, Jehuda Reinharz, and Chone Shmeruk, pp. 399–411 (Hanover, N.H., 1989);

Michael C. Steinlauf, “Mr. Geldhab and Sambo in Peyes: Images of the Jew on the Polish Stage, 1863–1905,” Polin 4 (1989), 98–128;

Michael C. Steinlauf, “Fear of Purim: Y. L. Peretz and the Canonization of Yiddish Theater,” Jewish Social Studies 1.3 (1995), 44–65;

Michael C. Steinlauf, “Sources for the Study of Jewish Theater in Poland,” in Gal-Ed 15–16 (1997), 83–103;

Ignacy Suesser (Süsser), “Kilka słów o żargonie i teatrze żydowskim,” Izraelita 25–27 (27 June–11 July 1890);

Joanna Tokarska-Bakir, “O czymś, co zginęło i szuka imienia,” in Rzeczy mgliste: Eseje i studia, pp. 210–215 (Sejny, Pol., 2004);

Zygmunt Turkow, Di ibergerisene tkufe: Fragmentn fun mayn lebn (Buenos Aires, 1961);

Eleonora Udalska, ed., Żydzi w lustrze dramatu, teatru i krytyki teatralnej (Katowice, Pol., 2004), summaries in English and German; Jeffrey Veidlinger, The Moscow State Yiddish Theater: Jewish Culture on the Soviet Stage (Bloomington, Ind., 2000);

Béatrice Picon-Vallin, Le théâtre juif soviétique pendant les années vingt (Lausanne, Switz., 1973);

Péter Varga, “Varianten jüdischer Selbstwahrnehmung in Ungarn,” in Jüdische Selbstwahrnehmung: La prise de conscience de l’identité juive, ed. Hans Otto Horch and Charlotte Wardi, pp. 83–99 (Tübingen, 1997);

Péter Varga, “Heinrich Heine und seine jüdischen Freunde,” in Heine, 1797–1856, ed. Endre Kiss and Tamás Lichtmann, pp. 65–79 (Debrecen, Hungary, 2002) ;

Jeffrey Veidlinger, The Moscow State Yiddish Theater: Jewish Culture on the Soviet Stage (Bloomington, Ind., 2000);

Michał Weichert, Teater un drame, 2 vols. (Warsaw and Vilna, 1922–1926);

Michał Weichert, Zikhroynes, vol. 2, Varshe, 1918–1939 (Tel Aviv, 1961);

Michał Weichert, Zikhroynes, vol. 2 (Tel Aviv, 1961).

Seth Wolitz, “Shulamis and Bar Kokhba: Renewed Jewish Role Models in Goldfaden and Halkin,” in Yiddish Theater: New Approaches, ed., Joel Berkowitz, pp. 87–104 (New York and Oxford, 2003) ;

Andrzej Wróblewski, “Niobe,” in Ida Kamińska: 50 lat pracy artystycznej / Ida Kaminska: 50 yor kinstlerishe tetikayt (Warsaw, 1967), Polish version, pp. 38–47, Yiddish version, pp. 37–46;

Zalmen Zylbercweig (Zilbertsvayg), Leksikon fun yidishn teater, 6 vols. (New York, Warsaw, and Mexico City, 1931–1969) ;

Zalmen Zylbercweig (Zilbertsvayg), comp. and ed., “Kaminski, Avrom-Yitskhok,” in Leksikon fun yidishn teater, vol. 6, cols. 5254–5281 (Mexico City, 1969);

Zalmen Zylbercweig (Zilbertsvayg), comp. and ed., “Kaminski, Ester-Rokhl (Halpern),” in Leksikon fun yidishn teater, vol. 6, cols. 5433–5616 (Mexico City, 1969) ;

Zalmen Zylbercweig, ed., “Volfstal, Khone,” in Leksikon fun yidishn teater, vol. 1, pp. 1654–1656 (New York, 1931) ;

Zalmen Zylbercweig (Zilbertsvayg), ed., “Sandler, Perets,” in Leksikon fun yidishn teater, vol. 2, pp. 1446–1454 (Warsaw, 1934);